Monheim Crème Tube Condenser Microphone
Vintage Inspired - Modernized For The Mix
Monheim Microphones presents our first tube microphone in the line!
Carefully calculated to bridge the gap between vintage audio quality, and modern mixing techniques,
Crème is a renaissance tool that offers exceptional nostalgic sound coupled with modern clarity, depth, and pricing.
Paying homage to classic tube microphones like the Ela M 251, Monheim Crème boasts a hand-selected
CK12 capsule, low self-noise, top-tier circuit design, and the much sought after NOS 12AT7 medium gain vacuum
tube along with a 9 polar pattern selector switch.
Use the Crème in Cardioid setting, or open up the space around the source by simply rotating the polar pattern right or left. You will immediately find a sweet spot for any vocal using the polar pattern switch.
Prepare to be amazed as you watch your new recordings rise to the top.
Applications: Vocals, Strings, Acoustic Guitar, Drums, Ambient Room
Directional Type: 9 Pattern (selector switch located on power supply)
Max SPL: 130 dBA
Frequency Response 30 Hz-20KHz
Signal-To-Noise Ratio: 80 dBA
Output Impedance: 200 Ω
Carefully calculated to bridge the gap between vintage audio quality, and modern mixing techniques,
Crème is a renaissance tool that offers exceptional nostalgic sound coupled with modern clarity, depth, and pricing.
Paying homage to classic tube microphones like the Ela M 251, Monheim Crème boasts a hand-selected
CK12 capsule, low self-noise, top-tier circuit design, and the much sought after NOS 12AT7 medium gain vacuum
tube along with a 9 polar pattern selector switch.
Use the Crème in Cardioid setting, or open up the space around the source by simply rotating the polar pattern right or left. You will immediately find a sweet spot for any vocal using the polar pattern switch.
Prepare to be amazed as you watch your new recordings rise to the top.
Applications: Vocals, Strings, Acoustic Guitar, Drums, Ambient Room
Directional Type: 9 Pattern (selector switch located on power supply)
Max SPL: 130 dBA
Frequency Response 30 Hz-20KHz
Signal-To-Noise Ratio: 80 dBA
Output Impedance: 200 Ω
Monheim Channel Strip
From Clean Strings and Pop Vocals to Gritty Guitar, This all Tube Channel Strip Is Your "Ultimate Tone Shaper."
"The Most Flexible Channel Strip On the Market " With its high-fidelity design, this incredible tone shaper starts tracking clean & clear mic level sources by default. And then, the fun begins! Start turning the knobs and drive your sources with fantastic harmonic distortion. From clean, high fidelity to gritty rock style distortion in the turn of a knob, there is very little the Channel Strip cannot achieve. All gain stages of the tube circuit may be inserted or removed via bypass switch, including the preamp allowing the Channel Strip to serve as a tracking tool or mix tool, to add harmonic content & improve lame, stale, source material.
Features:
Applications: Vocals, Drums, Guitar, Strings, and Mix Buss. Allows for tracking clean & clear Mic level sources, OR mixing line level signals to improve lame, stale, source material and adding much needed harmonic content.
Features:
- High-end tube DI engineered for Bass & Guitar.
- Lowest Tube Preamp Noise Floor on the market.
- Seven step, variable transformer saturation.
- Stepped High Pass/Lo Cut filter.
- Dedicated input and output transformer.
- High-precision stepped output attenuator.
- 180 degree phase switch.
- Variable gain, wide bell, "Motown inspired" tube EQ. (with Mid-Pultec-style boost and cut or "Air Band" options)
- 2x NOS 6H23p-EB tubes. (6DJ8, 6922, ECC88 Equivalent)
- All gain stages of the tube circuit may be inserted or removed via "Bypass" switch, including the Preamp.
Applications: Vocals, Drums, Guitar, Strings, and Mix Buss. Allows for tracking clean & clear Mic level sources, OR mixing line level signals to improve lame, stale, source material and adding much needed harmonic content.
Monheim Thump Microphone
"Clarity With Serious Low End."
"Go-To, Heavy Lifter" The Thump microphone will make its way onto all your recordings with its rich, low end response, and clear airy, top-end. Thump handles transient content with precision and provides needed enhancement for sources lacking proper low-end. The Thump is an instant favorite on low end sources like kick drum, upright bass, bass amp, and percussion. The Thump will allow rich low end sources to immediately fit in the mix without excessive EQ.
Directional Type: Cardioid
Equivalent Noise Level: 8.0 dBA
Max SPL: 140 dBA
Signal-To-Noise Ratio: 76 dBA
Frequency Response 20 Hz-20KHz
Output Impedance: 150 Ω
Features:
Applications: Male/Female Vocals, Cello, Upright Bass, Guitar Amp, Bass Amp, Kick Drum & Percussion.
Directional Type: Cardioid
Equivalent Noise Level: 8.0 dBA
Max SPL: 140 dBA
Signal-To-Noise Ratio: 76 dBA
Frequency Response 20 Hz-20KHz
Output Impedance: 150 Ω
Features:
- Custom CK-12 inspired edge-terminated capsule.
- Discreet, Class A low-noise circuit.
- Custom, high-end nickel output transformer.
- Durable, matching shock mount that reduces low frequency rumble & makes the Thump a visual as well as acoustic centerpiece.
Applications: Male/Female Vocals, Cello, Upright Bass, Guitar Amp, Bass Amp, Kick Drum & Percussion.
Monheim FET Microphone
"Vintage Warmth With Modern EQ"
The Monheim FET microphone is a vintage inspired FET 47 style microphone with some serious modern EQ improvements. Truly an incredible bang for the buck, the FET microphone performs on par or exceeds microphones 2 and 3 times its price tag while saving you important time in the mix process with incredible warmth and definition.
Directional Type: Cardioid
Equivilent Noise Level: 10 dBA
Max SPL: 140 dBA
Frequency Response 30 Hz-20KHz
Output Impedance: 150 Ω
Features:
Applications: Vocals, Guitar and Bass Amps, Acoustic Guitars, Strings, Drums & Other High Mid Range Sources.
Directional Type: Cardioid
Equivilent Noise Level: 10 dBA
Max SPL: 140 dBA
Frequency Response 30 Hz-20KHz
Output Impedance: 150 Ω
Features:
- Custom circuit and custom output transformer coupled with the finest K47 capsule.
- Traditional 10dB PAD and 80Hz Low-pass, Roll-off switch that many are accustomed to with other FET microphones.
- A low noise floor and tolerance for High SPL sources, elevate the FET to new heights.
Applications: Vocals, Guitar and Bass Amps, Acoustic Guitars, Strings, Drums & Other High Mid Range Sources.
Monheim Omni
"The New Reference"
The Monheim Omni is like having a pair of your ears on the source! The enhanced accuracy of the Omnis allow for diverse applications, making it an invaluable tool for any engineer looking to elevate their recordings and mixes while providing enhanced stereo field depth and incredible spatial accuracy. The Omni can be used as a stand-alone tool, or in tandem with other tools to create a deep and more accurate sonic palette.
Directional Type: Omnidirectional
Equivalent Noise Level: 23 dBA
Max SPL: 130 dB
Principle Of Operation: Pressure
TDH: 0.5 % up to 120 dB
Frequency Response 20 Hz-20KHz
Output Impedance: 300 Ω
Features:
Applications: Acoustic Guitar, Piano, Strings, Percussion, Drums, Choral Music, Orchestral Overheads, Reference Measurement, Live Sound Reinforcement.
Directional Type: Omnidirectional
Equivalent Noise Level: 23 dBA
Max SPL: 130 dB
Principle Of Operation: Pressure
TDH: 0.5 % up to 120 dB
Frequency Response 20 Hz-20KHz
Output Impedance: 300 Ω
Features:
- Gentle bump in the 10KHz range allowing the capsule of the Omni to respond more accurately to the detail and source being recorded.
- Ideal for capturing the nuance and detail of any performance.
- Extended natural low end.
- Improves the accuracy of the stereo field in recordings.
- Captures High Fidelity detail.
Applications: Acoustic Guitar, Piano, Strings, Percussion, Drums, Choral Music, Orchestral Overheads, Reference Measurement, Live Sound Reinforcement.
Monheim Omni High-SPL
All The Beauty Of the Monheim Omni With High SPL Tolerance
The Monheim Omni High SPL is everything you love about our Monheim Omni, with a lowered noise floor and a higher SPL response. Designed to respond like a pair of ears with added spatial detail, and extended low end, the High SPL version also responds with extremely low distortion at loud sound sources.
Directional Type: Omnidirectional
Equivalent Noise Level: 18 dBA
Max SPL: 140 dB
Principle Of Operation: Pressure
TDH: 0.5 % up to 120 dB
Frequency Response 20 Hz-20KHz
Output Impedance: 300 Ω
Features:
Applications: Acoustic Guitar, Piano, Strings, Percussion, Drums, Choral Music, Orchestral Overheads, Reference Measurement, Live Sound Reinforcement.
Directional Type: Omnidirectional
Equivalent Noise Level: 18 dBA
Max SPL: 140 dB
Principle Of Operation: Pressure
TDH: 0.5 % up to 120 dB
Frequency Response 20 Hz-20KHz
Output Impedance: 300 Ω
Features:
- Gentle bump in the 10KHz range allowing the capsule of the Omni to respond more accurately to the detail and source being recorded.
- Ideal for capturing the nuance and detail of any performance.
- Extended natural low end.
- Improves the accuracy of the stereo field in recordings.
- Captures High Fidelity detail.
Applications: Acoustic Guitar, Piano, Strings, Percussion, Drums, Choral Music, Orchestral Overheads, Reference Measurement, Live Sound Reinforcement.