​Monheim Channel Strip
From Clean Strings and Pop Vocals to Gritty Guitar, This all Tube Channel Strip Is Your "Ultimate Tone Shaper."

"The Most Flexible Channel Strip On the Market " With its high-fidelity design, this incredible tone shaper starts tracking clean & clear mic level sources by default.  And then the fun begins when you start turning the knobs and drive your sources with fantastic harmonic distortion.  From clean, high fidelity to gritty rock style distortion in the turn of a knob, there is very little the Channel Strip cannot achieve.   All gain stages of the tube circuit may be inserted or removed via bypass switch, including the preamp allowing the Channel Strip to serve as a tracking tool or mix tool, to add harmonic content & improve lame, stale, source material.

​Features:

• High-end tube DI engineered for Bass & Guitar.
• Lowest Tube Preamp Noise Floor on the market.
• Seven step, variable transformer saturation.
• Stepped High Pass/Lo Cut filter.
• Dedicated input and output transformer.
• High-precision stepped output attenuator.
• 180 degree phase switch.
• Variable gain, wide bell, "Motown inspired" tube EQ.  (with Mid-Pultec-style boost and cut or "Air Band" options)
• 2x NOS 6H23p-EB tubes. (6DJ8, 6922, ECC88 Equivalent)
• All gain stages of the tube circuit may be inserted or removed via "Bypass" switch, including the Preamp.

​Applications:  Vocals, Drums, Guitar, Strings, and Mix Buss.  Allows for tracking clean & clear Mic level sources, OR mixing line level signals to improve lame, stale, source material and adding much needed harmonic content.

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​Monheim Thump Microphone
"Clarity With Serious Low End."

"Go-To,  Heavy Lifter" The Thump microphone will make its way onto all your recordings with its rich, low end response, and clear airy, top-end.   Thump handles transient content with precision and provides needed enhancement for sources lacking proper low-end.

Directional Type: Cardioid
Equivalent Noise Level: 8.0 dBA
Max SPL: 140 dBA
Signal-To-Noise Ratio: 76 dBA
Output Impedence: 150 Ω

Features: 

• CK 12 inspired edge-terminated capsule.
• Discreet, Class A low-noise circuit.
• Custom, high-end nickel output transformer.
• Durable, matching shock mount that reduces low frequency rumble & makes the Thump a visual as well as acoustic centerpiece.

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Applications: Male/Female Vocals, Cello, Upright Bass, Guitar Amp, Bass Amp, Kick Drum & Percussion.

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​Monheim FET Microphone
"Vintage Warmth With Modern EQ"

The Monheim FET microphone is a vintage inspired FET 47 style microphone with some serious modern EQ improvements.  Truly an incredible bang for the buck, the FET microphone performs on par or exceeds microphones 2 and 3 times its price tag while saving you important time in the mix process with incredible warmth and definition.

​Directional Type: Cardioid
Equivilent Noise Level: 10 dBA
Max SPL: 140 dBA
Output Impedance: 150 Ω

Features:

• Custom circuit and custom output transformer coupled with the finest K47 capsule.
• Traditional 10dB PAD and 80Hz Low-pass, Roll-off switch that many are accustomed to with other FET microphones.  
• A low noise floor and tolerance for High SPL sources elevate the FET to new heights.

​Applications: Guitars, Bass, & Guitar Amps, Strings, Drums & Other High Mid Rangle Sources. 

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Monheim Omni 
"The New Reference"

The Monheim Omni is like having a pair of your ears on the source.  Its diverse applications make it an invaluable tool for any engineer looking to elevate their recordings and mixes providing enhanced stereo field depth and incredible spatial accuracy.  The Omni can be used as a stand-alone tool, or in conjunction with other tools to create a deep and more accurate sonic pallette.

​Directional Type: Omnidirectional
Equivilent Noise Level: 23 dBA
Max SPL: 130 dB
Principle Of Operation: Pressure
TDH: 0.5 % up to 120 dB
Output Impedance: 300 Ω

Features:

• Gentle bump in the 10KHz range allowing the capsule of the Omni to respond more accurately to the detail and source being recorded.
• Ideal for capturing the nuance and detail of any performance.  
• Extended natural low end.
• Improves the accuracy of the stereo field in recordings.
• Captures High Fidelity detail.

Applications: Acoustic Guitar, Piano, Strings, Percussion, Drums, Choral Music, Orchestral Overheads, Reference Measurement, Live Sound Reinforcement.

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​Monheim Omni High-SPL
All The Beauty Of Our Omni With High SPL Tolerance.

The Monheim Omni High SPL is everything you love about our Monheim Omni, with a lowered noise floor and a higher SPL response.  Designed to respond like a pair of ears with added spatial detail, and extended low end, the High SPL version also responds with extremely low distortion at loud sound sources. 

Directional Type: Omnidirectional
Equivilent Noise Level: 18 dBA
Max SPL: 145 dB
Principle Of Operation: Pressure
TDH: 0.5 % up to 120 dB
Output Impedance: 300 Ω

Features:

• Gentle bump in the 10KHz range allowing the capsule of the Omni to respond more accurately to the detail and source being recorded.
• Ideal for capturing the nuance and detail of any performance.  
• Extended natural low end.
• Improves the accuracy of the stereo field in recordings.
• Captures High Fidelity detail.

Applications: Acoustic Guitar, Piano, Strings, Percussion, Drums, Choral Music, Orchestral Overheads, Reference Measurement, Live Sound Reinforcement.

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